Tuesday, January 31, 2012

This is the job I've always wanted to do ! - "the culture of music"

The Ethnomusicologist is one who researches music, musicians, instruments, and music producing processes. He or she looks deeply into

different cultures and their music-making practices and capabilities. For example, they might travel to China to get to know a family of musicians who perfected a certain instrument or created a specific type of music. The Ethnomusicologist engrosses themselves into the culture, doing the best they can to get a feel for beliefs and customs, and the role of music.

Even though there is a great deal of travel in this position, these individuals also conduct research traditionally within libraries and museums. Overall, the position is one of low-stress, and incredibly enjoyable for anyone who enjoys their work. With that said, to be successful, one should have a passion for travel and should enjoy communicating with the world's many cultures. They need to be accustomed to spending a lot of time away from home, as they could be spending months and maybe even years with certain cultures.


Resulting benefits of such travel and research include becoming a part of new cultures, and then teaching students or museum goers about the culture of music. One of the most enjoyable aspects for many is the opportunity to see the world from many different angles.


Salaries

Salaries depend on a number of factors including experience, educational background, and the particular position with which they are employed. All things considered, they can earn between $30,000 and $91,000. Usually those who work in museums are paid the most, relatively.


Employment

Ethnomusicologists can find work in a number of different settings like universities, libraries, and museums, along within the Recording Industry Association of America. There is currently a growing interest in the field, which may make it easier to obtain an entry-level position.


Advancement

It's common for many Ethnomusicologists to move into traditional teaching roles after they've had some time and experience in the field. One can advance their career by taking on more advanced, in-depth experiences with cultures in areas not previously researched.


Education and Training

To get started in this position, one should have a bachelor's degree. But, to earn more and obtain more advanced positions, a graduate degree should be obtained. Study areas include sociology, anthropology, psychology or other cultural study areas.


Experience, Skills, and Personality

Because of the fact that most of their time is spent in the field, Ethnomusicologists must have superior research skills, while remaining objective and analytical. They need to know how to take detailed notes, and they should be good at deductive reasoning. Also, they should be good writers, with the ability to translate their notes into detailed reports once research has taken place.


Unions and Associations

Ethnomusicologists may belong to the Society for Ethnomusicology, which is dedicated to the study of all forms of music from the perspectives of social science.

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This is what I have been for 50 years:



Music Copyist


A music copyist produces the various parts or individual music lines for instruments from a music score, in preparation for a performance or recording session. This work is done by using computer music notation applications. The two roles of the computer-based copyist – the production of parts and of scores – are invariably combined, as it is fairly straightforward to extract parts from the score in music notation applications. The music copyist needs to have a strong understanding of music notation as developed by music publishers over the last century.

 

There is also an editing component to this job whereby mistakes are detected if they are missed by composers when writing the score. As freelancers, music copyists need to have good skills in small business management, professional networking and self-promotion. Copyists learn a lot about arranging and composition in the course of their work, so these career opportunities are also available to them. 

This would be something I do (even includes one of my other passions regarding Native Americans):











About the job

http://us.music-jobs.com/current/music-copyist-job-24337718

Hi, I am looking for a copyist to take the transcription for an 8 movement concerto called Tribal Music Suite (TMS). 
Here's what I'm looking for: someone to take the transcription for the strings from the recording one track at a time and put all parts into score format as well as individual parts. All in Adobe, computer generated plus a disc containing the written work from the software program ie Finale, etc (for future editing and changes). Woodwinds & horns have written parts but need to be edited as per the recording.

Here is what I'll send you. A CD-ROM disc of all the parts rendered in 16bit 44.1K wav files, all in sync with a click, can be imported into an your music software program and transcribed or copied accordingly. Plus the written/arranged parts for the wood winds and brass that need to be edited; plus the written viola part that was not on the original recording but needs to be in the score.

Here is a list of the parts for the 1st movement:
Solo violin
1st violins sometimes same as solo violin
2nd violins
violas (part is written out by hand but not on recording)
cellos (this part has been finished)
dbl basses (arco + pizz)
trombones (3)
tympani
snare drum
triangle
gong
cymble swells
chimes
pow wow drum and singers (listed in score but not to be transcribed)
wind effect (listed in score but not to be transcribed)
string pads (synth)
penny whistle
flutes (2) (already arranged/transcribed but needs editing from recording)
Clarinet (1) (already arranged/transcribed but needs editing from recording)

I will overnight a package of the 1st movement to you (no emails or mp3s) plus 1/2 of the estimated fee in check form. You can email me back the Adobe version of the parts and when complete I will send you the balance for the 1st movement and if all has worked well then it's on to the next movement. A completed score and individual parts?

Please let me know if you can help. If you think the project is too big for you or expensive for me don't write me back as that is a clear indication of lack of interest.

Unfortunately it has been taken!!

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Recently I have been this:

http://www.careersinmusic.com/recording-artist-website-content-producer.aspx

RECORDING ARTIST WEBSITE CONTENT PRODUCER

$25,000 to $75,000+

Website Content Manager, Website Content Editor

 Writes and maintains content on website, retains a following through various methods, gathers fan base.

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About This Music Career

In order to keep fans informed and interested in artists and their websites, most artists, their management companies, or labels retain Website Content Producers, who are responsible for creating and maintaining site content. To begin the process, these individuals are expected to develop and carry out a strategic online content plan. These plans must be fresh and innovative in order to keep fans returning to the site. This is important because websites give artists a presence on the web, allowing fans to find general information, along with timely news, concert dates, and new album offerings. These sites also give artists a simple way to sell or promote their albums and other merchandise including t-shirts and more.


As mentioned, Website Content Producers are responsible for maintaining the content of the site, ensuring content is informative, user friendly, and exciting. To accomplish this, individuals need to research and write engaging stories and articles on a variety of subjects. Content might be about the artist, the music industry in general, or other subjects.


Aside from an exciting homepage that contains breaking news and timely information, other pages on the site might include biographies, artist profiles, feature stories, interviews, tour news, discographies, lyrics of songs, forums, photos, videos and more. Also, the Website Content Producer may develop blogs, webcasts, chats, podcasts and more in order to keep the site relevant and exciting. These outlets help to get fans involved and connected to the act. The Website Content Producer must also find ways to develop mailing lists of fans by utilizing “contact us” forms, surveys, sweepstakes, or fan clubs. These lists are used to get news out quickly, and to inform fans about concert dates and new album availability.


Some sites are extremely large and developed, sometimes requiring more than one Content Producer. In such a situation, one may be a Senior or Executive Website Content Producer who oversees the entire site and the other may develop and monitor blogs and so on.


In addition, Website Content Producers are responsible for overseeing staff copywriters, photographers, and graphic artists. The Content Producer might also need to find a freelancer to produce stories, and is responsible for getting all stories, editing them when necessary, and giving them to the webmaster to put online.

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